A Devotee’s Charge: Bhakti as a Catalyst for Hindu Reform
“O He who is the color of the oceans,
once upon a time,
You made the northern hills into Your churning staff,
and made Vasuki, the great serpent king, into Your cord,
and churned the very belly of the ocean.”
“That very same hand that did the churning,
was it not tied by Yasoda with a churning cord?
O He with the Lotus Navel,
Is this Your Maya (illusion), for I am amazed.”
- Ilango Adigal, Silappatikaram
In one of the oldest Tamil epic poems, the Silappatikaram, this passage appears as a song sung by the herdswomen of Madurai as they performed their folk dances. It is rich in meaning as Ilango Adigal juxtaposes the “Hand of God,” which has the power to move mountains and churn oceans, with the hand of His incarnation, Krishna, which is tied by Yasoda as punishment for Krishna’s “misdeeds.” These “misdeeds” and the act of Yasoda’s disciplining are recurring themes in the divine play of Krishna: His Krishna Leela.
For Hindus like me, the stories from the Krishna Leela of His childhood and misbehavior are cherished, and often retold during holidays and in prayers. Although Krishna’s naughtiness triggers the rebuke of his neighbors and family in the stories, it ultimately endears all the characters and all those who hear of the Leela, to Krishna. In many ways, Krishna’s smile, as portrayed in artwork, acts on the Hindu imagination the way Mona Lisa’s smile acts on the Western imagination: it is mischievous, mysterious, and ultimately alluring. I wasn’t spared from being mesmerized by Krishna’s Leela.
In the same vein of thought that Krishna’s mischief has a deeper purpose, Yasoda’s punishments are not seen by Hindus as moments in which Krishna is reformed, but as allegorical tales. This is true because in the Hindu belief system, Krishna is seen as born with the knowledge of Dharma (righteousness), as He reveals later in the form of the Bhagavad Gita. These moments, instead, are seen by Hindus as when Yasoda is given the opportunity to express her faith. For being given this opportunity, Yasoda is often praised as the greatest devotee of all time. The Tamil composer, Papanasam Sivan, was moved by these stories of Yasoda’s chastising to compose one of his most famous compositions with the refrain: “Enna Thavam Seidhanai, Yasoda?,” or “What great austerities did you perform?”
Therefore, these stories, and even this passage from the Silappatikaram, exist not just to retell occurrences from the life of Krishna, but to express complex concepts that cannot be easily defined. A key Hindu concept is central here: the power of Bhakti. Although the word Bhakti appears over and over throughout Hindu religious scriptures and has been, hence, translated into English by numerous scholars, Bhakti is difficult to directly translate, although “devotional love” is used in many English translations of Hindu scripture.
In the passage from the Silappatikaram, the herdswomen refer to the omnipotent “Hand of God,” tied and restrained by Yasoda to make two inferences. First, that Krishna was restrained by the churning cord because He willed it. And second, that the act could only be performed because of the greatness of Yasoda’s Bhakti. This is the great Maya or illusion. Krishna appeared in flesh and allowed himself to be overpowered by the strength of His follower’s devotion. From the beginning of His story to the end, He constantly submits to the faith of His devotees, whether it is as a lover of Radharani, or as the charioteer of Arjuna. Whether it is at the admonishing hand of His mother Yasoda, or the deadly arrow of the hunter Jara.
This divine play, in which the devotee scolds and performs the act of reforming Krishna, is in many ways a metaphor for how Hindus are instructed to treat their faith. Most of the religious texts themselves are not seen as infallible, but as malleable traditions that have been shaped by their followers over the centuries. Versions of Hindu texts, therefore, are numerous, and their interpretations, countless. Throughout history, Hindus have debated religious concepts peacefully, and in public forums called sanghams. Instead of toeing the line of conformity, Hindu leaders have often written scathing critiques of even commonly held beliefs. If the religion is the hands of Krishna, then we, the devotees, are constantly grasping it, molding it, reforming it, and ultimately, bettering it. All as Krishna willed it.
For this reason, I often react with great amusement when I deal with statements like this: “How could you claim to be Hindu, and so well-informed of our many scriptures, when you are a gay man?” In a faith that has so often steered away from orthodoxy, and has avoided conformity of belief, to demand why I could “choose to be a homosexual,” because I am Hindu, is antithetical. To query someone why they would act in a manner that is in contradiction to what Hindu scripture requires is a contradiction itself. Hindu scriptures do not require.
When I think back to discriminatory experiences I’ve had in my life; whether it was homophobia or casteism; whether it was a condemnation of my actions or my beliefs, I often think it would have been natural to drift away from my faith. It would have been very easy to leave Hinduism because of the voices that insist I have no space under Hinduism’s umbrella. Instead, however, I found myself often returning to it to seek refuge from criticism. Mirabai, a 16th century Rajasthani poet, also often spoke of seeking refuge from societal criticism in the shelter of Lord Krishna. Her poems abound with allusions of letting the veil of decency slip, running through the drenching rains of scolding words of impropriety, and seeking sanctuary in Krishna.
But returning and finding haven in Krishna is not only a radical act of defiance against those who use Hinduism to critique me-- it is also an oath to live, breath, and act the “Krishna Leela.” It is a promise to act with Bhakti, and there is truly no greater act of Bhakti than to walk in the footsteps of Yasoda. It is that promise that has driven me and continues to drive me to reform my religion: to be a Hindu Reformer.
Hindu reformers, especially those who want to mold the faith to accommodate liberal values, such as homosexuality, interfaith relationships, egalitarianism between the genders, and the dismantling of the caste system and untouchability, are often criticized as anti-Hindu, ironically by both Hindus and non-Hindus, and are outcast by liberal and conservative factions. There are some groups that find Hinduism to be irredeemable, and there are other groups that decry reform as they see the faith already perfected. We reformers find ourselves outside of both camps.
Hindu reform is a real movement with genuine and pure aspirations. It seeks to build a faith that does not discriminate, abominate, or differentiate. It builds on the work of our forefathers and foremothers by speaking up against those acts and beliefs that are counterintuitive to our conscience. There is much work to be done in this realm. Whether it is the latest news of caste-discrimination, or a Dalit lynching. Whether it’s the news of a corrective rape of an LGBTQIA person, or when hateful individuals like Sunita Singh Gaud instruct Hindus to rape Muslim women, there is much room for Hindu reformers to criticize, critique, and catalyze change.
Usually, listing atrocities committed by Hindus results in criticisms from the camps of the Hindutva right. They often claim that Hindu reformers disproportionately criticize Hinduism and its followers. Let me be clear in saying that religious reform is not a burden that rests solely on Hindu shoulders. A cursory glance at the religious landscape of the world, with widespread misogyny, homophobia, classism/casteism, and various other social ills, reveals that all of our religions require change. But reforming Hinduism, to me, is not only an act I do as a liberal; it is an act of Bhakti I perform as a Hindu.
From the other camp, the secular left, the supposedly obvious resolution to these social ills is to dismiss the religion in its entirety. For some, that is an acceptable solution. For me, however, it means to leave His Leela; to remove myself as a character from His divine play. It means to cease to be Arjuna, in awe of the Bhagavad Gita being taught to me. It means to cease to be a gopi, breathless from dancing the Raas in Vrindavan. It means to separate the lover from divine love. This, for me, is an impossible task, more arduous than churning an ocean with a mountain. It is unpalatable because, for me, the faith does not rain down its judgment on me; it is society. And it is in the shadow of His grace, in the shadow of the mountain lifted so easily by His little finger, do I seek refuge.
We Hindu reformers do not, therefore, find room in either of those two camps for our goals, our aspirations, and our needs. Instead, we find ourselves following in the footsteps of Yasoda. We find ourselves on the path of Bhakti, for we bind the hands of our faith and mold it, shaping it away from cruelty and towards divine love. Not for its sake, but for our own.




















